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Spazio and discrete Polyphonie
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from Peter Zacher

Beside Thomas Kupsch, I know of no other composer whose expression has changed so dramatically in such a relatively short time. During the eighties, when I first encountered his compositions, I was more irritated by them than moved. It was not that I found this music apparently more concerned with digesting the musical history of the seventies, than with dealing with the actual problems issuing from a young composer’s surroundings? ...

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